{"product_id":"igor-stravinsky-late-music-sensual-musical-radicalism-4cd-box-set","title":"Igor Stravinsky: Late Music Sensual Musical Radicalism, 4CD Box Set","description":"\u003cdiv aria-selected=\"true\" aria-hidden=\"false\" aria-expanded=\"true\" id=\"tab-label-product-description-main\" class=\"data item parent opened is-expanded\"\u003e\n\u003cdiv data-role=\"content\" id=\"product-description-main\" aria-labelledby=\"tab-label-product.info.description-title\" class=\"child data item content tab-content-product-description-main\"\u003e\n\u003cdiv class=\"tab-content-wrapper\"\u003e\n\u003cdiv class=\"product attribute description\"\u003e\n\u003cdiv class=\"value\"\u003e\n\u003cdiv data-element=\"main\" data-appearance=\"contained\" data-content-type=\"row\"\u003e\n\u003cdiv data-pb-style=\"RLOQ4HV\" data-element=\"inner\" data-video-fallback-src=\"\" data-video-lazy-load=\"true\" data-video-play-only-visible=\"true\" data-video-loop=\"true\" data-background-type=\"image\" data-background-images=\"{}\" data-parallax-speed=\"0.5\" data-enable-parallax=\"0\"\u003e\n\u003cdiv data-element=\"main\" data-appearance=\"default\" data-content-type=\"text\"\u003e\n\u003cp\u003e• 4CD box set of the radical later music of Igor Stravinsky.\u003cbr\u003e\u003cbr\u003e• Including selections from the music that inspired him, from Ravel and Debussy to\u003cbr\u003eStockhausen and John Cage.\u003cbr\u003e\u003cbr\u003e“In the course of his long, and abundantly creative life, Igor Stravinsky produced a highly personal body of work, which seems paradoxically enough, to sum up and embrace all of music itself. From primitive folk art to highly sophisticated serialism, from rarefied church music to outspoken jazz. His textures go from the richest to the leanest. His spirit was both devout and irreverent. His music is, at once, tender and spiky, emotional but anti-romantic. It can be popular and esoteric, nationalistic or intercontinental. In this sense he was probably the most universal composer who ever lived.” Leonard Bernstein\u003cbr\u003e\u003cbr\u003eIn 1944 Stravinsky met 20-year old music student Robert Craft, forging a deep friendship and creative partnership that would prove to be decisive in determining the composer's musical direction. With his career at an impasse, Craft encouraged Stravinsky to re- evaluate the possibilities of 12-tone writing; introducing him to works by Schoenberg and Webern and to a generation of young composers with which he was scarcely familiar.\u003cbr\u003eStravinsky warmed to this new language and wondered if it might be applied it to something of his own.\u003cbr\u003e\u003cbr\u003eHis serial pieces are as Stravinskyan as ‘The Rite of Spring’ or ‘The Firebird’; the brilliant hallmark so admired by Frank Zappa, Ennio Morricone, Ornette Coleman, Miles Davis, Syd Barrett and The Pink Floyd. This edition focusses on the system to which, to a greater or lesser degree, Stravinsky would devote the rest of his life; from the enchanting ‘Septet’ to the last great ballet, ‘Agon’; compositions that both touch the heart and ravish the ear.\u003cbr\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISC ONE\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eOrchestral and Chamber Works\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSelections from ORPHEUS Ballet RCA Symphony Orchestra \/ Igor Stravinsky\u003c\/strong\u003e\u003cbr\u003e1 Orpheus Weeps for Eurydice - Lento sostenuto\u003cbr\u003e2 Air de danse\u003cbr\u003e\u003cstrong\u003eSEPTET Columbia Chamber Orchestra \/ Igor Stravinsky\u003c\/strong\u003e\u003cbr\u003e3 Sonata Allegro\u003cbr\u003e4 Passacaglia\u003cbr\u003e5 Gigue\u003cbr\u003e\u003cstrong\u003eAGON Ballet Southwest German Radio Symphony Orchestra \/ Hans Rosbaud\u003c\/strong\u003e\u003cbr\u003e6 Pas-de-Quatre\u003cbr\u003e7 Double Pas-de-Quartre\u003cbr\u003e8 Triple Pas-de-Quartre\u003cbr\u003e9 Prélude\u003cbr\u003e10 First Pas-de-Trois - Saraband Step\u003cbr\u003e11 Gailliarde\u003cbr\u003e12 Coda 1\u003cbr\u003e13 Interlude 1\u003cbr\u003e14 Second Pas-de-Trois - Bransle Simple\u003cbr\u003e15 Bransle Gay\u003cbr\u003e16 Bransle Double\u003cbr\u003e17 Interlude 2\u003cbr\u003e18 Pas-de-Deux\u003cbr\u003e19 Coda 2\u003cbr\u003e20 Four Duos\u003cbr\u003e21 Four Trios - Coda\u003cbr\u003e\u003cstrong\u003eMOVEMENTS, FOR PIANO AND ORCHESTRAColumbia\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSymphony Orchestra: Charles Rosen (piano) \/ Igor Stravinsky\u003c\/strong\u003e\u003cbr\u003e22 Eighth Note = 110\u003cbr\u003e23 Quarter Note = 52\u003cbr\u003e24 Eighth Note = 72\u003cbr\u003e25 Eighth Note = 80\u003cbr\u003e26 Eighth\u003cbr\u003eNote = 104\u003cbr\u003eFor the Tombstone of Prince Max Egon zu Fürstenberg\u003cbr\u003e27 EPITAPHIUM\u003cbr\u003e\"Raoul Dufy in Memoriam\"\u003cbr\u003e28 DOUBLE CANON\u003cbr\u003e\u003cstrong\u003eMONUMENTUM PRO GESUALDO DI VENOSA AD CD ANNUM, FOR CHAMBER ENSEMBLE\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eColumbia Symphony Orchestra \/ Igor Stravinsky\u003c\/strong\u003e\u003cbr\u003e29 Asciugate I Begli Occhi Madrigale XIV, Libro Quinto\u003cbr\u003e30 Ma Tu, Cagion Di Quella Madrigale XVIII, Libro Quinto\u003cbr\u003e31 Belta Poi Che T'Assenti Madrigale II, Libro Sesto\u003cbr\u003e\u003cstrong\u003eAGON Ballet Los Angeles Festival Symphony Orchestra \/ Igor Stravinsky\u003c\/strong\u003e\u003cbr\u003e32 Pas-de-Quatre\u003cbr\u003e33 Double Pas-de-Quartre\u003cbr\u003e34 Triple Pas-de-Quartre\u003cbr\u003e35 Prélude\u003cbr\u003e36 First Pas-de- Trois - Saraband Step\u003cbr\u003e37 Gailliarde\u003cbr\u003e38 Coda 1\u003cbr\u003e39 Interlude 1\u003cbr\u003e40 Second Pas-de-Trois - Bransle Simple\u003cbr\u003e41 Bransle Gay\u003cbr\u003e42 Bransle Double\u003cbr\u003e43 Interlude 2\u003cbr\u003e44 Pas-de-Deux 45 Coda 2 46 Four Duos 47 Four Trios - Coda\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISC TWO\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eChoral Works\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMASS\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eColumbia Symphony Woodwinds and Chorus \/ Igor Stravinsky\u003c\/strong\u003e\u003cbr\u003e1 Kyrie\u003cbr\u003e2 Gloria\u003cbr\u003e3 Credo\u003cbr\u003e4 Sanctus\u003cbr\u003e5 Agnus Dei\u003cbr\u003e\u003cstrong\u003eCANTATA\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSt. Anthony Singers, English Chamber Orchestra \/ Colin Davis\u003c\/strong\u003e\u003cbr\u003e6 A Lyke-Wake Dirge - Versus 1\u003cbr\u003e7 Ricercar 1 'The maidens came'\u003cbr\u003e8 A Lyke-Wake Dirge - Versus 2\u003cbr\u003e9 Ricercar 2 'To-morrow shall be my dancing day'\u003cbr\u003e10 A Lyke-Wake Dirge - Versus 3\u003cbr\u003e11 Westron Wind\u003cbr\u003e12 A Lyke-Wake Dirge - Versus 4\u003cbr\u003e\u003cstrong\u003eCANTICUM SACRUM\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eOrchestra of the Domain Musical \/ Robert Craft\u003c\/strong\u003e\u003cbr\u003e13 Dedicato\u003cbr\u003e14 Part I, Euntes in mundum\u003cbr\u003e15 Part II, Surge, aquilo\u003cbr\u003e16 Part III, Ad Tres Virtutes Hortationes\u003cbr\u003e17 Part IV, Brevis Motus Cantilenae\u003cbr\u003e18 Part V, Illi autem profecti\u003cbr\u003e\u003cstrong\u003eA SERMON, A NARRATIVE AND A PRAYER\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eThe Toronto Festival Singers CBC Symphony Orchestra \/ Igor Stravinsky\u003c\/strong\u003e\u003cbr\u003e19 A Sermon\u003cbr\u003e20 A Narrative\u003cbr\u003e21 A Prayer\u003cbr\u003e22 ANTHEM (The Dove Descending Breaks the Air)\u003cbr\u003eThe Toronto Festival Singers \/ Igor Stravinsky\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISC THREE\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eVocal Choral Opera\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTHREE SONGS FROM WILLIAM SHAKESPEARE\u003c\/strong\u003e\u003cbr\u003e1 Musick to hear\u003cbr\u003e2 Full Fathom Five\u003cbr\u003e3 Spring\u003cbr\u003e\u003cstrong\u003eIN MEMORIAM DYLAN THOMAS\u003c\/strong\u003e\u003cbr\u003ePeter Pears (Tenor) Ensemble conducted by Hans Rosbaud\u003cbr\u003e4 Dirge-Canons (Prelude)\u003cbr\u003e5 Do Not Go Gentle into That Good Night\u003cbr\u003e6 Dirge-Canons (Postlude)\u003cbr\u003e\u003cstrong\u003eTHRENI\u003c\/strong\u003e\u003cbr\u003eSchola Cantorum, Columbia Symphony Orchestra \/ Igor Stravinsky\u003cbr\u003e7 Introduction: \"Incipit lamentatio Jeremiae Prophetae\"\u003cbr\u003e8 De elegia prima: \"Aleph. Quomodo sedet sola civitas\" - Diphona I: \"Plorans ploravit\" - Diphona II: \"Vide, Domino\"\u003cbr\u003e9 De elegia tertia: I Querimonia: \"Aleph. Ego vir videns\" - II Sensus spei: \"Heth. Misericordiae Domini\" - III Solacium: \"Res. Judicasti, Domine\"\u003cbr\u003e10 De elegia quinta: \"Oratio Jeremiae Prophetae\"\u003cbr\u003e\u003cstrong\u003eREQUIEM CANTICLES\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAmsterdam Concertgebouw Orchestra, Netherlands Chamber Choir \/ Bernard Haitink\u003c\/strong\u003e\u003cbr\u003e11 Prelude\u003cbr\u003e12 \"Exaudi\"\u003cbr\u003e13 \"Dies irae\"\u003cbr\u003e14 \"Tuba mirum\"\u003cbr\u003e15 Interlude\u003cbr\u003e16 \"Rex tremendae\"\u003cbr\u003e17 \"Lacrimosa\"\u003cbr\u003e18 \"Libera me\"\u003cbr\u003e19 Postlude\u003cbr\u003e\u003cstrong\u003eTHE FLOOD\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eA Musical Play Columbia Symphony Orchestra \u0026amp; Chorus \/ Robert Craft\u003c\/strong\u003e\u003cbr\u003e20 Prelude\u003cbr\u003e21 Melodrama\u003cbr\u003e22 The Building of the Ark\u003cbr\u003e23 The Catalogue of the Animals\u003cbr\u003e24 The Comedy\u003cbr\u003e25 The Flood\u003cbr\u003e26 The Covenant of the Rainbow\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISC FOUR\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStravinsky's Orbit\u003c\/strong\u003e\u003cbr\u003eMAURICE RAVEL Boston Symphony Orchestra \/ New England Conservatory Alumni Chorus \/ Charles Munch 1 1 Invocation of the Nymphs from Daphnis et Chloé\u003cbr\u003eERIK SATIE\u003cbr\u003e2 Sarabande No.2 Francis Poulenc (piano)\u003cbr\u003eCLAUDE DEBUSSY Orchestra of the Theatre National de l'Opera de Paris \/ Manuel Rosenthal\u003cbr\u003e3 Jeux (Games) - poème dansé\u003cbr\u003e\u003cstrong\u003eARNOLD SCHOENBERG Columbia Symphony Orchestra\u003c\/strong\u003e\u003cbr\u003e4 Vergangenes (The Past) from Five Pieces for Orchestra, Op. 16\u003cbr\u003e\u003cstrong\u003eANTON WEBERN Five Pieces for Orchestra, Op. 10 Robert Craft Orchestra \/ Robert Craft\u003c\/strong\u003e\u003cbr\u003e5 Archetype\u003cbr\u003e6 Transformation\u003cbr\u003e7 Return\u003cbr\u003e8 Memory\u003cbr\u003e9 Soul\u003cbr\u003e\u003cstrong\u003eALBAN BERG Southwest German Radio Symphony Orchestra \/ Hans Rosbaud\u003c\/strong\u003e\u003cbr\u003e10 Präludium from Three pieces for orchestra, op. 6\u003cbr\u003e\u003cstrong\u003ePIERRE BOULEZ Instrumental selections from Le Marteau sans maître Conducted by Robert Craft\u003c\/strong\u003e\u003cbr\u003e11 Avant L'artisanat Furieux\u003cbr\u003e12 Commentaire II de Bourreaux de Solitude\u003cbr\u003e\u003cstrong\u003eKARLHEINZ STOCKHAUSEN Ensemble conducted by Robert Craft\u003c\/strong\u003e\u003cbr\u003e13 Zeitmasse For Five Woodwinds\u003cbr\u003e\u003cstrong\u003eLUIGI NONO Orchestra of WDR Cologne \/ Bruno Maderna\u003c\/strong\u003e\u003cbr\u003e14 Il Canto Sospeso (The Suspended Song): Orchestra\u003cbr\u003e\u003cstrong\u003eLUCIANO BERIO Cathy Berberian (voice)\u003c\/strong\u003e\u003cbr\u003e15 Circles (excerpt)\u003cbr\u003e\u003cstrong\u003eJOHN CAGE Maro Ajemian (prepared piano)\u003c\/strong\u003e\u003cbr\u003e16 Sonata 1 from Sonatas and Interludes\u003cbr\u003e\u003cstrong\u003eEDGARD VARÈSE Conducted by Robert Craft\u003c\/strong\u003e\u003cbr\u003e17 Density 21.5 for Flute\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv aria-expanded=\"false\" id=\"tab-label-technical-specs\" class=\"data item parent\"\u003e\n\u003cdiv class=\"title\" tabindex=\"0\"\u003e\u003cspan id=\"tab-label-technical.specifications-title\" href=\"#technical.specifications\" data-toggle=\"trigger\" class=\"data switch\" tabindex=\"-1\"\u003eAdditional Information\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-role=\"content\" id=\"technical-specs\" aria-labelledby=\"tab-label-technical.specifications-title\" class=\"child data item content tab-content-technical-specs\"\u003e\n\u003cdiv class=\"tab-content-wrapper\"\u003e\n\u003cdiv class=\"additional-attributes-wrapper table-wrapper-custom\"\u003e\n\u003ctable style=\"width: 99.9589%; 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