A hybrid of Baroque maximalism, cybergrind, sludge, and darkwave.

FFO: Anaal Nathrakh, Atari Teenage Riot, Igorrr, Venetian Snares, Pg 99

Five years after Le Cœur Bat (2021), and more than a decade after Un petit peu d'amour pour la haine, La Lune Dont Mon Âme Est Pleine stands as Non Serviam's third full-length album. Following numerous EPs, splits, and mini-albums, the band returns with a work that expands on the aesthetic and sonic sophistication of Le Cœur Bat, sharpened by greater experience and confidence.

Deeply rooted in industrial experimentation and the rawness of Black Metal, Non Serviam has forged a singular style that seeks to blur the boundaries between extreme genres while preserving their intensity through a radical avant-garde approach. The album ranges from Baroque music to cybergrind, sludge, and darkwave, weaving these influences into a cohesive and uncompromising whole.

Announced by the EP Labyrinthe (2024), La Lune Dont Mon Âme Est Pleine is a symbolist concept album centered on the myth of Diana and Actaeon, exploring themes of the desire for the absolute, the violence it engenders, and the melancholy that follows. Beyond the metamorphosed and tormented figure of Actaeon, the album also invokes Émile Henry, the late-19th-century French anarchist, as well as the apocalyptic goddess Kali, voiced by Mirai Kawashima (Sigh) in a powerful homage.

The French band Non Serviam blends electronihilism and industrial sludge — harsh electronic textures, heavy distorted riffs, and oppressive atmospheres rooted in anonymity and misanthropy, embracing a bleak, confrontational aesthetic both musically and conceptually.

Tracklist

1. La Lune Dont Mon Âme Est Pleine
2. Déesse Morte
3. Emile Henry
4. Victory To Kali – feat. M. Kawashima (Sigh)
5. La Valse Des Enfants Morts
6. Everything About You
7. Actéon
8. Abject Sacrifice
9. La Lune Dont Mon Âme Est Pleine – Part II